{"id":77,"date":"2025-01-05T16:01:33","date_gmt":"2025-01-05T16:01:33","guid":{"rendered":"https:\/\/repolusk.eu\/?page_id=77"},"modified":"2026-03-19T09:46:13","modified_gmt":"2026-03-19T08:46:13","slug":"publikationen","status":"publish","type":"page","link":"https:\/\/repolusk.eu\/en\/publikationen\/","title":{"rendered":"Publications"},"content":{"rendered":"<p>2026<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>B. Bauer, T. Repolusk., and S. Krottmaier. <a href=\"https:\/\/zenodo.org\/records\/18860520\">\"Advanced Layout-Analysis f\u00fcr glossierte Handschriften\"<\/a>. In: digital humanities im deutschsprachigen Raum (DHd 2026). Ed. by S. Schwandt, G. Viehhauser, T. Andrews, and T. Wallnig. Vienna, Austria: University of Vienna, 2026, pp. 434\u2013435. doi: 10.5281\/zenodo.18591948<\/li>\n<\/ul>\n\n\n\n<p>2025<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>T. Repolusk and E. Veas. <a href=\"https:\/\/arxiv.org\/abs\/2507.18741\">\"KuiSCIMA v2.0: Improved Baselines, Calibration, and Cross-Notation Generalization for Historical Chinese Music Notations in Jiang Kui\u2019s Baishidaoren Gequ\"<\/a>. In: Document Analysis and Recognition &#8211; ICDAR 2025. Ed. by XC. Yin, D. Karatzas, and D. Lopresti. Cham, Switzerland: Springer Nature Switzerland, 2025, pp. 116\u2013132. doi: 10.1007\/978-3-032-04630-7_7<\/li>\n<\/ul>\n\n\n\n<p>2024<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>T. Repolusk and E. Veas. <a href=\"https:\/\/sites.google.com\/view\/worms2024\/proceedings\">\"Semi-Automatic Annotation of Chinese Suzipu Notation Using a Component-Based Prediction and Similarity Approach\"<\/a>. In: Proceedings of the 6th International Workshop on Reading Music Systems (WoRMS). Ed. by J. Calvo-Zaragoza, A. Pacha, and E. Shatri. 2024, pp. 38-42. doi: 10.48550\/arXiv.2411.15741.<\/li>\n\n\n\n<li>T. Repolusk and E. Veas. <a href=\"https:\/\/link.springer.com\/chapter\/10.1007\/978-3-031-70552-6_3\">\"The KuiSCIMA Dataset for Optical Music Recognition of Ancient Chinese Suzipu Notation\"<\/a>. In: Document Analysis and Recognition &#8211; ICDAR 2024. Ed. by E. H. Barney Smith, M. Liwicki, and L. Peng. Cham, Switzerland: Springer Nature Switzerland, 2024, pp. 38\u201354. doi: 10.1007\/978-3-031-70552-6_3.<\/li>\n<\/ul>\n\n\n\n<p>2023<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>T. Repolusk and E. Veas. <a href=\"https:\/\/sites.google.com\/view\/worms2023\/proceedings\">\"The Suzipu Musical Annotation Tool for the Creation of Machine-Readable Datasets of Ancient Chinese Music\"<\/a>. In: Proceedings of the 5th International Workshop on Reading Music Systems (WoRMS). Ed. by J. Calvo-Zaragoza, A. Pacha, and E. Shatri. Milano, Italy, 2023, pp. 7\u201311. doi: 10.48550\/arXiv.2311.04091.<\/li>\n<\/ul>\n\n\n\n<p><\/p>","protected":false},"excerpt":{"rendered":"<p>2026 2025 2024 2023<\/p>","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-77","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/pages\/77","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/comments?post=77"}],"version-history":[{"count":11,"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/pages\/77\/revisions"}],"predecessor-version":[{"id":170,"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/pages\/77\/revisions\/170"}],"wp:attachment":[{"href":"https:\/\/repolusk.eu\/en\/wp-json\/wp\/v2\/media?parent=77"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}